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You do not need Neil Gaiman’s gazebo

I love November, I really do. From a writing point of view, there’s a lot of enthusiasm and creative energy floating around. I don’t know if that’s something that’s generated by NaNoWriMo, or if Chris Baty just tapped into it (possibly by accident) when he scheduled the event the second time around. (I suspect it’s the latter.)

Aside from the energy, I just like this time of year for the weather — fall is far and away my favorite season.

It’s one of those times of year when I really envy Neil Gaiman. Not for his writing (he has his, I have mine), or amazingly supportive group of friends (I also have that), or his dogs (got those), or daughters (got one of those too), or even his house (which is lovely, yes, but there’s too much snow in Wisconsin).

No, I envy him for this:

This is Neil’s Gazebo. It’s where he writes.

Nice, isn’t it? All the amenities, none of the distractions. It positively screams artistic and charming, and my god, I can’t even imagine what those trees look like right about now.

It makes me want to build a writing shed in my backyard. Seriously. I’m utterly fascinated by small, efficient living spaces, and have spent hours – even days – scanning sites like shedworking, drooling over videos like this one, and making sure that tumbleweed‘s monthly hit count stays up. Wouldn’t it be great to feed that obsession and get a whole new workspace out of it in the bargain? That’d mean my office inside the house would open up… We could use the extra bedroom…

*slaps self repeatedly*

*blinks*

Right. Where was I?

Ahh… right. I was daydreaming about a nice, personal, private, darling writing space.

Instead of writing.

I’m seeing that a lot right now. There are a lot of people out there who are supposed to be writing and are instead wasting their time trying to build Neil Gaiman’s gazebo. I see a couple of people doing it every day.

“Not me,” you think, smug in your superiority.

Oh really?

Let me give you a couple examples of what I’m talking about.

Every day, Twitter sends me a message (or two, or three) that reads something like this:

@writeria90210 is now following you on Twitter!

Bio: I’m a writer. I love writing and books. And writing books. This is my new twitter account devoted to writing.

See that? That’s a gazebo. @writeria90210 has some other twitter account, but decided to make another special twitter account just for writing. How charming and artistic. Their twitter account probably looks like this:

How about:

Bio: I am currently writing my debut novel and looking for a [sic] agent.

That’s a gazebo designed to house the cart that you bought before you bothered getting a horse.

Or this one:

Bio: Switching from @oldusername account to this @myrealname account, so that all my writing is associated with ME.

I think I’ll call that one “painting the gazebo”.

I don’t mean to pick on anyone, but I think it’s really important to call this what it is: procrastination. (My granddad, puttering around in the back of my head, wants to call it “bullshit”.)

Don’t get me wrong: I understand why you’re doing this. It feels nice to create these cozy little writerly spaces. As an added bonus, these little side projects are finite and quickly achievable; it doesn’t take much time to set up a new twitter account (believe me, I know), and boom: when you’re done, you have this whole new space to play around in. You’ve accomplished something.

Writing? Writing is a sort of a never-ending battle; sometimes it’s nice to have a battle that’s a little more… endy.

Plus, once this little space is created, there’s more stuff you can do with it! Get the throw pillows just so, adjust the light through the window, get the wallpaper up, and maybe… down near the end of the day… maybe write someth — Oooh! Or you can post stuff to the new twitter account! Even better! A series of 140 character posts, each one with a definitive end, and lovely little ‘ding’ of completion! So much more satisfying than the ongoing slog of your Work In Progress.

People: I understand. I really do. Scientists have done a lot of studies on procrastination, and their conclusion isn’t that we’re lazy: it’s that we simply like things that we can have now. (Hat tip to ***Dave for reminding me of that post.)

Their conclusion is also that we’re better people who make better stuff if we can manage a little delayed gratification.

That means no quaint and adorable writer space and more writing in whatever space you’ve got handy.

It means more writing instead of building gazebos (whatever form those gazebos happen to take): less twitterbation, fewer blog posts about ‘the process’ and ‘how the writing went this morning/this afternoon/this evening/yesterday’, fewer posted excerpts, less time “getting in the mood”.[1]

More writing.

Get back to it. The gazebo can wait.


1 – Anyone who knows me knows that I am guilty of all those things. If you feel I’m directing any of these comments out to the rest of the world with you in mind, remember one key thing: If it’s not about me, I’m probably not going to waste time talking about it. Sad, but true. XOXO

All Used Up

A few weeks back, some folks asked if I’d be ‘blogging NaNoWriMo’ again this year.

I said yes. Of course I said yes; I have a strong need for a feedback loop in the creative cycle, so knowing there’d be one built into a certain string of blog posts is an automatic draw for me.

But there was a seed of doubt.

Yes, I wrote a lot of advicey posts last year, and they were generally received very well — more importantly, folks found them useful. But the non-secret secret of those posts is that I was really just writing notes to myself, figuring (correctly) that if the writing process followed a fairly clear pattern from beginning to end (it does, at least for me), I’d end up writing something worthwhile for lots of people.

I’ll be honest: I’m not sure I can do it again.

I mean, the process is the same, right? The stages are the same, right? What if I said everything useful last year? What if I don’t have anything good left to say?

Then again…

Every single time I’ve ever written a story (obviously not just in November), it’s been different. The challenges have come in different places, and with different parts of the story. The stories themselves have been different, and certainly I’m learning different things (and the same old things, again) every time.

And I’m different. In editing together that ebook of the advice I wrote last year, I found some things I didn’t entirely agree with. I left them in, because it’s still good advice, but it’s not quite me anymore.

The question basically boiled down to whether or not I thought I still had any words left at all.

And there’s really only one way to find that out. You go looking for them.

Story Time
I grew up in South Dakota, on a farm. On that farm, we raised cattle. Cattle are pretty simple creatures; they generally require only two things:

  • Grass. (The ‘corn-fed beef’ ideal is a dangerous, illness-creating myth.)
  • Water.

Now, out on the Great Plains, grass isn’t much of a problem, but water sometimes is, and if your pastureland doesn’t have a convenient lake handy or an artesian well set up, your livestock has to rely on a dugout.

A dugout’s basically a man-made watering hole — it looks like a rectangular pond about the half the size of a football field, with a suspiciously uniform hill lying directly along one side of it. The reason it looks like this is because of how it was made; basically, someone just hopped in a backhoe and dug a big hole in the ground about where someone decided there must be an underground spring, then piled the dirt up alongside the hole for no other reason than it was the easiest thing to do.

As a kid, all the dugouts around my home where preexisting affairs — old enough for the piles of dirt next to them to have settled down, grown grass, and become practically indistinguishable from burial mounds. I had no concept of them as a Thing That Was Made.

Then, sometime during my teen years, a well in one of our more distant pastures dried up, and my dad decided to get a guy out there with his backhoe and make a dugout.

It was a pretty epic undertaking. Via methods I’m still not entirely clear on (and on which my dad and granddad disagree), the optimal location for a dugout was determined, the heavy equipment was rolled in, and the digging commenced.

Problem was, it was two days in, and they weren’t hitting a spring. The hole was getting DEEP; both it and the pile of dirt next to it were bigger than the backhoe that had made them, and still no water.

I and my granddad had driven out to check on the digging (partly, I’m sure, so my granddad could rib Dad about the big dry hole), and after a bit of ‘conversation’ on the topic, Grandpa had walked over to talk with the foreman. I was left standing next to my dad. We stared into this enormous hole for awhile — it was pretty damned impressive.

“So,” I asked, “what do you do when you don’t find water?”

Dad didn’t respond at first; he was still looking down into the hole, and I wasn’t sure he’d heard me over the roar of the backhoe. Then: “If you know the water’s there,” he said, “you just keep digging.”

“No matter what?”

“Yep,” he said. “You’ll hit it eventually.” He put his right hand on my left shoulder, leaned in, and pointed so I could sight down along his left arm like the barrel of a .22. There, along the walls of the dugout, where the backhoe had just pulled another scoop of dirt away, there was a thin, silvery snake of water, running down toward the bottom of what would become, over the next four days, the biggest and deepest and most consistently full dugout we’d ever had.

“Now,” he said, giving my shoulder a squeeze. “Walk around t’ other side there, and make sure your granddad sees that.”

He sounded more than a little smug.


This is a cold hard fact about writing. Sometimes, you won’t feel like there’s any words there. You’ll sit at your keyboard and think “Everyone’s got a novel in them, sure… but what if I only had one? What if I don’t have anything left to say?”

The water’s there. You know it is.

Keep digging til you hit it.

This is How I Get It Done: Making a quick ebook with Jutoh

This one’s going to be short, because I’ve kind of been looking at this screen all day.

A few days ago, I asked if anyone would be interested in getting all of my NaNoWriMo advice posts pulled together into some kind of epub format.

The answer was “yes.”

I kind of ignored that for a bit, because frankly I didn’t know where to start with creating something like that, beyond a PDF; all the stuff I used a few years ago is abandonware.

But today someone sent me an ebook they’d ‘just slapped together’ in eCub, so I went and looked at that.

It seemed fine, but I did notice this bit:

eCub does not do WYSIWYG or syntax-highlighted editing.

Hmm. I may be reading that wrong, but it sounds like it doesn’t do something like “highlight that word and hit ctrl-I for italics.” So… may a little simpler than I wanted.

But then I read:

You may like to consider the Jutoh ebook editor for easier, WYSIWYG editing, more sophisticated import, and greater configurability. Jutoh also handles footnotes, index entries and other aspects.

Well, that certainly seemed a lot closer to what I was looking for.

So I grabbed it, installed it, and got to work. First, I saved copies of all the individual posts as html files, then I pointed Jutoh at that directory full of a mess of html files, images, links, and… you know, stuff, and said “Do something with that, wouldja?”

Here is the result — This is How I Get It Done – Daily Kicks in the Ass for NaNoWriMo Authors, in:

It took me longer to get a decent picture of a composition notebook cover than it did to format the first chapter.

Now… it wasn’t THAT easy — I spent most of the afternoon cleaning out text I didn’t need, and dropping some (but not all — or even most) of the comments from the posts. And I had to recenter pictures and format the captions and…

Okay, yeah, it took awhile, but it was a piece of cake.

The end result (at least for the .mobi – I can’t check the others) is a document that Kate can read on her Kindle and I can read on my phone. The text formating is clean, the pictures are totally legible, the table of contents works perfectly, and all the links to other people’s websites (the commenters, for example) are live and do exactly what they should. I’d love to hear how it works for you guys on your readers of choice.

Unavoidable Snark: A whoooooole afternoon to format a clean, readable, twenty-three thousand word ebook with pictures and an extended reading list that reaches out to the rest of the internet. Yeah. Wow. I can totally see why publishers are charging as much for ebooks as hardbacks. Totally. Yeah.

Finally, for those folks who just want it in their browser, here’s the complete collection of the original posts.

Working Like a Rockstar (The October Forecast)

My short-term contract job came to an unhappy/happy end on Friday. And while you might assume ‘unhappy for me’, I’d have to say that the real unhappiness was felt by my now-ex-employers, who really wanted me to stay and really liked me; they just ran out of budget.

They liked me so much that my boss basically wrote the new update to my resume, bragging me up even more than I usually do myself. Contract jobs are actually pretty good in that way — you can come in like a superhero, smash the crap out of problems, gird yourself in accolades, and leave before office politics sully your fancy spandex costume.

The big trick is making sure you’ve got somewhere to land when you leap over the next tall building in a single bound. (Freelance writers will find this kind of thing very familiar; it’s a kind of rockstar lifestyle, assuming one reads that to mean “striving to see the difference between homelessness and living out of a tour van.”)

I may have a new gig lined up pretty soon — another -opolis that needs saving from an Atomic Menance — but to be perfectly honest I’ll be happy if there’s a bit of a lag before the next corporate thing.

I am ready to do some other things.

Let’s review what’s on the to-do list.

New cub.

There’s a new kid on the way to the Casa, so there are more than a few home projects going on. The kid’s room is actually pretty much ready to go, but in the meantime we’ve been working on other rooms in the house.

We’ve painted our bedroom and the front greatroom, and of course Kaylee’s new bedroom needs to be framed in and painted and carpeted and all that cool stuff, but we’re letting some professionals handle that, even though I’m pretty sure I could nail (heh) the framing part.

Then there’s painting the house itself. The outside. We must — absolutely must — paint the whole thing before winter, or we’ll need to replace all the siding next summer, and if I’ve got some time before the next gig, I’ll probably be doing that myself and saving us mumble-hundreds of dollars.

The main problem with this cunning plan is that there are three spots where the siding needs to be replaced, and of course the problem spots aren’t anywhere a mook like me could handle it — they’re complicated places like where the chimney meets the house, right under the eaves.

By the way: if you’re in the market for a house, or planning to build one? Fuck chimneys. I don’t care how much you want a fireplace; don’t do it. Embed a firepit in your deck or something. Chimneys are to houses what a bad smoking habit is to an otherwise healthy person.

Anyway. I am pretty much ready to go with the painting thing, but we’re going to have to wait until we can get these sections fixed by someone competent experienced.

Why isn't it ever simple?

NaNoWriMo is on the horizon, and the prepatory murmurs are audible even at this great distance. Some folks have asked if I’m ‘doing’ it again this year which… c’mon. Of course.

But I’ve got a lot of other stuff to do first. A publisher handed me some revision requests which — damn them — are actually really good, so I want to get those done and handed back to my awesome agent before October is dead and gone.

What will I be writing?

Actually, I have a story to finish that needs at least another 50k (well, two, actually, but I’m picking one over the other), so I’ll be getting it down. Yes, I know you’re not supposed to do that with NaNoWriMo, but at this point, I think I’ve done it legit often enough to pfff those kinds of restrictions.

But that’s just me; if you’re trying to finish NaNoWriMo for the first time, BY ALL MEANS OBSERVE THE RULES. Doing it my way (picking up an unfinished story) is actually making the whole thing harder; I’m just stupid self-challenging that way.

What would I write if I weren’t working on something extant? I dunno.

I’ll tell you what I wouldn’t suggest, though: steampunk.

I love the stuff currently lumped in under the heading of ‘steampunk’. Love it. But steampunk is kind of like vampires right now; something people mix in because it’s cool, not because the elements are being used in any kind of meaningful way. I’m getting sick of it.

You want to use the trappings? Fine. Call it whatever it really is, though — zeppelin fantasy, gogglerotica, or whatever.

Punk anything requires class struggle, the social effects of technological revolution, and people with no influence and power rebelling against a monolithic Authority.

Slapping goggles on your protagonist doesn’t make it steampunk.

Ahem. Anyway. Rant over. There’s my advice for NaNoWriMo. At least for today.

Hey, that reminds me.

Last year, I wrote a bunch of NaNoWriMo advice, broken down for day-by-day consumption. People seemed to dig it (and I’ll probably repost them to twitter as appropriate), but would there be any interest in seeing all those posts brought together into some kind of ebook-like thing prior to the start of the madness?

Not to buy, obviously — I’m not wondering if there’s money in it — I’m wondering if there’s enough interest to justify the work of putting it together before 11.01.10.

Is that it? I think that’s it. Damn but I’m out of practice writing these things — this post was all over the place — I’ve got blog-rust all over the keyboard now. Hopefully tomorrow will be better.

Nothing like being blocked from your own site during the day for the last two months to make you really pine to get some blogging done.

“The Image may be Closer than it Appears” – Mira Grant’s Feed

Fact One: I like zombies.  I like considering the ramifications of a zombie outbreak as a mental exercise, and sometimes even use that as an excuse to buy pretty things. None of this is a surprise to anyone who knows me.

Fact Two: I like Mira Grant‘s new book Feed. Again, this should also come as no surprise to anyone who’s been around me for the past week or so; I can’t shut up about the damned thing. The query-pitch summary for the book might go something like this:

Somewhere around 2014, some genius came up with a viral cure for cancer. Some other genius came up with a viral cure for the common cold. Neither of those two things were bad on their own, but when they met one another in a human host – bam, zombies. The infection spread, leading to the psuedo-death of a massive chunk of the population of the planet. During the first year of “the rising”, bloggers came into their own, providing survival information while the news networks were still making jokes and pretending it was all a prank. As the book opens it’s 25 years later, humanity has survived (so far) and so have the infected. This new reality affects virtually every aspect of daily life (the repercussions woven in a wholly believable backdrop throughout the book). We get to experience this brave new world through the eyes of George and Shaun, a professional brother-and-sister blogging team who ride around in a well-equipped van with a blonde poetry-writing tech-nerd named Buffy. [*]

But I’ve mislead you.

I’ve let you think, based on Fact One and Fact Two, that I like this book because it’s a good zombie story, but that’s too simple: my enjoyment and admiration goes beyond an affection for the walking dead, and Feed is more than a (really, truly) well-done story about zombies.

It’s about fear.

The trouble with the news is simple: People, especially ones on the ends of the power spectrum, like it when you’re afraid. The people who have the power want you scared. They want you walking around paralyzed by the notion that you could die at any moment. There’s aways something to be afraid of.

What does that have to do with the news? This: The truth isn’t scary.

It might (I said might) surprise you if I said that one of my most frequently visited newsreader feeds are for sites like FreeRangeKids — sites that look at activities that should be perfectly normal and perfectly acceptable which are instead seen as horribly irresponsible simply because there’s a one-in-sixty-thousand chance that something might go amiss and a kid could skin their knee. It’s sites like those where you can hear about schools that won’t “risk” kids playing tag anymore… or allow kids on a jungle gym… or a seesaw; where you can read hysterical, screaming comments from people who want parents to spend time in jail for letting their kid ride a bike to school.

(I also make sure to stay aware of examples of politicians and other folks in power using fear to leverage their current or nascent control of the general population, but I don’t feel as though I need to link to a specific site for this — just stay abreast of current events and examples will readily present themselves.)

But… that’s just the world we live in, right? One more thing we can’t let our kids do that we did when we were little; one more activity that used to be okay and now gets you a drive-by visit from the local sheriff’s deputy; one more security checkpoint where we used to be able to walk through; one more (and one more, and one more, and one more) cctv camera on the drive into work. We can’t look at the situation entirely clearly anymore — we’re too close to it, and the background roar (“threat level has been raised to orange”) is so loud that the only way to examine it is to make it much bigger — to zoom in. To turn the dial to 11.

What sort of thing could do that?

Zombies could do that.

Zombies turn up the dial on parents overprotecting their kids to the point where they grow up hopelessly and helplessly phobic. Infection gives government agencies the ability to shoot anyone at the merest suggestion of a threat. The walking dead allow politicians to base their campaign on a platform that would get even the most fringe right-wingers laughed off the stage today.

Zombies let us look at an incredibly paranoid, over-careful, insular, suspicious, stranger-dangered, xenophobic world… and realize that it is not actually very far away from where we are today. Not very far at all. Not far enough.

Not by half.

Beware: you are looking at this through my eyes.

Far, far be it from me to say that this is specifically what the author intended; I’ve had too many people talk to me about theme-stuff in my stories that I’d swear I didn’t put in there — there’s no way I’d assume that what I see in Feed is what Mira Grant intended to package in the tin.

It could be that this is merely an excellent zombie story with compelling main characters, believable politics, well-envisioned technological advances, tight and suspense-filled pacing, masterful use of foreshadowing and misdirection, and an ending that left me not-so-subtly pining for an ARC of the next book in the trilogy. Merely.

There is only one way to tell.

You must read it.

You must read it.

“This is the truth: we are accustomed to being afraid. It’s an addiction. People crave fear. Fear justifies everything. Fear makes it okay to have surrendered freedom after freedom, until our every move is tracked and recorded in a dozen databases. Fear creates, defines, and shapes our world, and without it, most of us would have no idea what to do with ourselves.

“We took a world that was huge with possibility, and we made it as small as we could.”

Moonlighting elseblog

I’ve got a post percolating about stories, games, and plot vs. character, but I’ll save that for tomorrow and instead point out that I wrote a guest blog over at ktliterary.com today: On Being Rexroth: Living with a Literary Agent.

Enjoy.

Enjoy.

The Wonderful Stink of Revision

Did you read it?

No, not yesterday’s post; did you read something of yours? How was it?

Don’t tell me you’re not done reading it yet; you were supposed to pick something short.

And don’t tell me you didn’t have time; that’s your lack-of-grooveness talking. Make time. Read it while your significant other is doing a frame-by-frame live Tweeting of Lost or something. Time enough to accomplish The Reading exists, it’s just in the wrong box right now. Go get it.

So whadja think?

Needs some work, dunnit?

Good.

You’re gonna revise that sucker.

I know, I know: you’re out of the Groove. I’m saying “You need to revise,” and you’re all like:

...

...

Keep it simple. Have some clear technical goals in mind.

  • Find the spots where the story doesn’t seem to go into a scene long enough or far enough. Take it the rest of the way.
  • Fine the spots where your voice is muddied and indistinct. Clarify it. Clean things up. This is probably something you wrote awhile back, and you’ve learned stuff since then, so make use of it.
  • Kill adverbs. Rewrite the sentence so that you’re saying the same thing with better words.
  • The one scene that doesn’t seem to do anything? Take it out. This is your acid test revision: no less than 10% of the original text should hit the cutting room floor.

That’s the official list of goals.

But what you’re really doing is getting down in the muck, up to the neck, in your own writing. In you. Wallowing in the glory of your own wonderful stink.

That is your method, and it’s also your true purpose in this little endeavor. Yes, doing the revision will be nice, but your real goal here is to remind yourself why you like playing with words, and what all your favorite toys feel like.

Wallow. Get the mud in deep. Oink oink.

As a show of solidarity, I’m going to do a little public wallowing for the next week or so. My particular mud bath will be a short story I wrote a few years back called Vayland Rd. It’s a peculiar little thing I wrote as part of a 24-hour blogathon, so it’s about 7 tenths inspiration and 5 eighths exhaustion, but it came from a good place, I like the characters, and the story’s important to me.

As I revise, I’ll post a chunk of the yarn up here every day, so you all get something to read in between your own wallow sessions. Sound good?

Hope so, cuz it’s the best deal you’re gonna get.

Now get back to your wallowing.

Oink.

Getting back in the Groove: Reading your Favorite Writer

So it’s been awhile.

You had a good end of the year writing rush. You got your edits done and off to your writing group, your first readers, your second readers, your volunteer editing harem, maybe even your agent. You started a new project and lo and behold, THAT went well too.

Then the holidays snuck up behind you and kicked you in the spine.

Maybe there was travel. Gifts. Food. Possibly drink. More travel. A nasty head cold, some vomiting, and body aches topped off the festivities. Yet more travel.

Then you’re back home, and your day job would like very much if you could make up the time you just spent on the holiday break, without actually clocking any additional hours. Tax paperwork starts coming in. Your cold won’t go away. All those shows that conveniently went on break before the end of the year are back and broadcasting what feels like two new episodes a week and all your friends are talking about them and spoiling everything. The driver’s side windshield wiper starts tearing, your fifty thousand mile checkup is ten thousand miles overdue, and your kid wants to join ballet and karate.

You’re carefully sculpted writing groove caves in like a badly dug trench.

The situation grows more complicated.

The situation grows more complicated.

Now, please understand, when I mention a Groove, I’m not talking about a muse. I don’t believe in The Muse. A Muse. Whatever. Eff that nonsense right in the ear. Clinging to the ‘inspiration of the muse’ is some delicate, lacey bullshit (there’s a mental image) and I have no patience for it.

But there is such a thing as a groove, it is possible to get knocked out of it, and it can be a fucking drag to get back in there. Without some serious effort, it could take…

Well, honestly, it might never happen on its own.

This will not stand.

The mind-dulling blankness of January has gone by, and it’s time to dig your way back in there. Let the mud fly, people, and don’t worry about who else it hits.

What’s that? No shovel? Must you use your bare hands?

Ye–
Wait.

No. No you don’t. There are tools.

Read

It’s a simple thing to say, but one very pleasant way to make the mud fly is to read. If nothing else, it helps you remember the various cool ways those word things get strung together. Some of what you read will inspire you, some will amaze you, and some of it will, to put it bluntly, make you really really mad that you aren’t making a living as an author right now, because goddamn if you aren’t a hell of a lot better than this guy.

But I don’t need to tell you to read. You’re doing that already.

Right. It’s not the activity that I’m specifically talking about, it’s the author; what I need you to do right now is start reading your very very favorite author of all time.

You.

Now, I know what you’re thinking.

Man you're hard on yourself.

Man you're hard on yourself.

Why waste precious reading time on boring old you? Pay attention: you’ve been out of your groove for awhile, and while it’s great to read other fantastic and not-so-fantastic authors, it’s more important right now to remember your own voice.

Cuz you’ve kind of forgotten.

Which makes it really hard to jump back in and pick up where you left off.

So find something of yours. Doesn’t have to be super-polished. Doesn’t even have to be good. Probably shouldn’t really be that long, either.

Read it. Listen to that writer. See how they string the word things together. Get inspired by it, get amazed by it, and get angry at how much better you can do.

Let all the good and bad of the story soak into your winter-dry brain sponge. Let it percolate.

Tomorrow, you’re going to fix it.