{"id":142,"date":"2008-11-19T09:25:38","date_gmt":"2008-11-19T15:25:38","guid":{"rendered":"http:\/\/doycetesterman.com\/wp\/?p=142"},"modified":"2009-04-04T13:36:35","modified_gmt":"2009-04-04T19:36:35","slug":"bruce-sterling-on-steampunk","status":"publish","type":"post","link":"https:\/\/doycetesterman.com\/index.php\/2008\/11\/bruce-sterling-on-steampunk\/","title":{"rendered":"Bruce Sterling on Steampunk"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\"><a href=\"http:\/\/www.doycetesterman.com\/img\/2190665242_608efe473d_o.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"2190665242_608efe473d_o.jpg\" src=\"http:\/\/www.doycetesterman.com\/img\/2190665242_608efe473d_o-thumb-250x251.jpg\" width=\"250\" height=\"251\" class=\"mt-image-left\" style=\"float: right; margin: 0 20px 20px 0;\"\/><\/a><\/span><a href=\"http:\/\/gogbot.nl.vedor.com\/thema\/\">Full essay is here<\/a>.<\/p>\n<blockquote><p>Steampunk&#8217;s key lessons are not about the past. They are about the instability and obsolescence of our own times. A host of objects and services that we see each day all around us are not sustainable. They will surely vanish. Once they&#8217;re gone, they&#8217;ll seem every bit as weird and archaic as top hats, crinolines, magic lanterns, clockwork automatons, absinthe, walking-sticks and paper-scrolled player pianos.<br \/>\nWe are a technological society. When we trifle, in our sly, Gothic, grave-robbing fashion, with archaic and eclipsed technologies, we are secretly preparing ourselves for the death of our own tech. <strong>Steampunk is popular now because people are unconsciously realizing that the way that we live has already died.<\/strong> We are sleepwalking. We are ruled by rapacious, dogmatic, heavily-armed fossil-moguls who rob us and force us to live like corpses. <strong>Steampunk is a pretty way of coping with this truth.<\/strong><\/p><\/blockquote>\n<p>It&#8217;s a really interesting insight into the movement and, thinking about it, I probably agree&#8230; though at the same time I still just plain <em>like<\/em> stuff like zeppelins because they&#8217;re cool.<br \/>\nBut when I think about the story I&#8217;m writing in Humorless, and the steampunk\/clockpunk tech that shows up, a lot of it (with the exception of the story&#8217;s namesake) has corollaries in today&#8217;s technology, and each example has something wrong with it &#8212; flaws that <em>also<\/em> have a modern corollary.<br \/>\nIs that what I&#8217;m writing about?  No. <sup>1<\/sup> However, I think it&#8217;s fascinating that, in introducing steampunk elements into the story, my mind naturally bestowed these relics of a technological path-not-taken with the same points of failure as the technology we have today.<br \/>\nDoing that sort of thing is, according to this essay, a kind of definitive part of the steampunk &#8216;thing&#8217;, and one assumes that that commentary is a conscious effort on the part of the participants.   The fact that the same sort of deconstruction happened in my own story without my being <em>aware<\/em> of this alleged underpinning of the genre implies something even more important: that this knowledge of the oncoming failure of our current technological culture and the way we can\/could reflect it in the Brass Mirror of pseudo-Victorian tech-that-never-was is something deeply ingrained in the subconscious.<\/p>\n<hr>\n<p><sup>1<\/sup> &#8211; Truth be told, I probably won&#8217;t know exactly or even generally what I&#8217;m writing about until I&#8217;m done, or probably well after that &#8212; I know that brothers and sisters seem to be figuring fairly prominently, and that&#8217;s about it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Full essay is here. Steampunk&#8217;s key lessons are not about the past. They are about the instability and obsolescence of our own times. A host of objects and services that we see each day all around us are not sustainable. They will surely vanish. Once they&#8217;re gone, they&#8217;ll seem every bit as weird and archaic &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/doycetesterman.com\/index.php\/2008\/11\/bruce-sterling-on-steampunk\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Bruce Sterling on Steampunk&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","footnotes":""},"categories":[6],"tags":[68,70,635],"class_list":["post-142","post","type-post","status-publish","format-standard","hentry","category-musing","tag-reading","tag-steampunk","tag-writing"],"_links":{"self":[{"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/posts\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/comments?post=142"}],"version-history":[{"count":1,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/posts\/142\/revisions"}],"predecessor-version":[{"id":1221,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/posts\/142\/revisions\/1221"}],"wp:attachment":[{"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/media?parent=142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/categories?post=142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/doycetesterman.com\/index.php\/wp-json\/wp\/v2\/tags?post=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}