#NaNoWriMo: Bang! (with Ninjas)

So here we are. Week Three, innit it? Bit of pain in the ass, this one. Some folks call it the wasteland. Some call it the weeds.

I call it dirty things you wouldn’t call your wife, unless it was the Special “Diceless Roleplay” Weekend.

Too much info? Right, moving on.

It’d be easy for me to say you’re stuck, but it’s also not quite right. You’re flailing around, sure, and mud’s flying up in every damn direction, and you really can’t see where you’re going cuz it’s all up on the windshield and christ your dad’s gonna be pissed unless you can get it to a carwash before he sees it, but you’re not stuck-stuck; you’re moving, but it’s sluggish, and you’re starting to worry that if you keep going the way you’re going, you really WILL be stuck.

You need a big goddamn boost to get out.

Let’s talk about Bangs.

Bang.
Bang.

Those of you who’ve read the stuff I write about gaming have heard me talk about Bangs before, in the context of gaming.

Put simply (and in writing rather than gaming terms), a “Bang” is when a scene introduces some sort of event or piece of information that requires a choice from one of your characters, and you don’t already know what they’re gonna choose.

Let me break that criteria down one more time:

  • Something happens that cannot be ignored and which requires some sort of response.
  • You’re not entirely sure what your protag is going to decide to do.

And example from my NaNoWriMo project:

I’m at about 30k words. There’s been a lot of talking going on, and it’s time to shake stuff up a bit. Per my own advice, I attack the scene with genre-appropriate ninjas. This situations creates a Bang (fine: “decision point” if you must) for Finnras:

  • Return to the ship, where Deirdre is in danger from the G.A.N.s.
  • Continue onward in pursuit of his daughter, abandoning Deirdre and other members of his crew to their own fate.

A couple key things to pick up from this kind of event:

  • It put things into motion.
  • You learn something you didn’t know (or weren’t entirely sure of) about the character.

These are both pretty good boosts for getting out of the muck, and they also have a fairly good chance of propelling the story in unexpected and interesting directions that will give you a boost of enthusiasm and energy — enough to power through to the end of the story.

For reference, here are a couple types of Bangs I’ve used in the past, broken out with labels decreed by a Mike Holmes, from whom I learned a lot of this stuff.

Dilemma: This is like the example I mentioned from my current story. You just grab two Important Things and make up a situation that forces a decision between those two things. Finding the Important Things is pretty easy – take what you know or think you know about the character, pick two things that seem to be roughly equal in importance, and set up a situation where they have to pick between the two. Note: this sort of event can result in the character losing the thing they didn’t choose, but this isn’t necessary, and it might be better (read: more incredibly awkward and painful for the character at a later point in time) if that doesn’t happen.

Be aware that you character may decide to pull a Batman and change the situation: they don’t accept that they can’t get one thing without losing the other, so they put a third thing at risk, trying to save both of the original things. This is awesome. Go with it.

Escalation: this is essentially hitting the same choice as a previous Dilemma, but upping the stakes. Basically, you take the unselected option from a previous dilemma and make it more important or more endangered. Let’s say Finn goes with “I have to follow my daughter,” because the threat to his crew isn’t that concrete and they’re actually pretty competent people. In an escalation, I can come back to that later and set up a scene like “okay, the crew is now captured, and they’re totally gonna die/go to jail for a million years/vote republican… or you can go after your daughter.

Identity Crisis: Do I need an example of this? Really? Okay…

“Luke, I am your father.”

There. Someone thinks they’re one thing, and they find out they’re something or someone else. Hit em with the Sith Lord Daddy and stand back to see what happens.

Something Totally Weird: Exactly what it sounds like. Something really weird happens which can’t be ignored because it’s so… weird. With no particular clue about a solution, what we learn about the character (hopefully) is how they try to address the event.

Ninja! So you’re kind of out of moral dilemmas, but you still need to get the action going. For this, I give the floor to Reverend Raymond Chandler:

Have somebody come in guns blazing, and figure out who they are later.

Does your guy fight or run? Do they freeze? Are there innocents to protect? Valuable stuff that needs to be kept from harm? Watch, learn, and write it down.

Don’t have ninjas in your story? Dude, everyone has ninjas.

Mutant beaver ninjas.
Mutant beaver ninjas.

Pervert Alient Ninjas.
Pervert Alien Ninjas.
Doctor Ninjas. (Or possibly disease outbreak ninjas.)
Doctor Ninjas. (Or possibly disease outbreak ninjas.)
Not ninjas, but still awesome.
Not ninjas, but still awesome.

… and that’s it.

Get back to work.

Have fun.

Adrift, Episode 4 (podcast) (#nanowrimo)

Okay, so the guys haven’t quite left the outline behind yet. I’ll talk about that more with Episode 5, when it happens.

This one took me bloody ages to get edited, because I couldn’t seem to get a solid take. By the time I got done, I was a leeeeeettle crazy, so I looped in an outtakes track at the end (it starts around 15:17, for those that want to skip right to the sounds of my fucking up over and over — warning, contains many heartfelt swears).

#NaNoWriMo: Looking ahead. Looking behind.

Story time. You’ve earned it.

(Yeah I know I busted you in the chops yesterday and you’re all grim determination and I-don’t-care-if-it-sucks-I’m-DOING-IT today, and that’s fine. That’s good, in fact. But first, story time.)

When I was a kid, we had a huge lawn. Huge. The trauma has blocked clear memory of the thing from my mind I don’t know precisely how big, but I remember that it was easier to express as acres than square feet. It took about five hours to mow the thing on a riding mower, if you had to bag the clippings.

I want to be clear here, because sometimes I joke or exaggerate for effect: in this case, I am not joking or exaggerating for effect; it took five damn hours.

Guess who got to mow that fucking thing every Saturday?1

To put it mildly, I hated it. It was a huge, daunting thing that never ever looked like it was going to be done.

When I complained about it, my mom had this suggestion:

In the first half, look at how much you’ve got done. In the last half, look at how little you’ve got left.

You get that little bit of midwest zen, guys? Take it to heart.

Look back for a second at what you’ve written. Thousands and thousands of words. Maybe you’re not quite halfway. Pff. Maybe you’re not loving the story. Fine. But it’s still a story. It generally hangs together in that way a story does, and you made it. You made up this thing out of your head and wrote it down — this amazing, gargantuan thing — maybe something bigger than anything you’ve ever done.

Be proud of that.

Now, look ahead. Compare what you have left to do to what you’ve already done.

Piece. of. monkey. cake.

How do I know this?

Because you have already done an Impossible Thing, and that makes you mighty.

You live here.
You live here.

Be mighty.

Write a book.

Have fun.


1 – And people wonder how I got so much reading done as a kid.

#NaNoWriMo: It’s all about Falling Down

Lemme try this - I saw it in a cartoon one time.
Lemme try something - I saw it in a cartoon one time.

I’ve told this story before.

I grew up in a midwestern town. Maybe a little more ‘western’ than ‘mid’, but we still fell into the correct geographic zone, and like most towns in the midwest, we had a small school in which all the students pretty much signed up for all the extra-curriculars they could reasonably schedule; if we didn’t, then that year the school didn’t have a football team or something, and it was a point of pride that that sort of thing Did Not Happen in my home town.

Result: when I was a kid (and into high school) I pretty much did everything. Rehearsed dramatic readings. One-act plays. Oratory. Band (marching, concert, pep, and jazz). I wrote for the school paper and the yearbook. I did wrestling (once), and basketball, and track (for awhile), and (of course) Football.

I don’t know if I was any good at football, but I liked it. I was a starting lineman, and… well, our team did okay; in my senior year, we were ranked third in the state for our division, so we weren’t awful, by any means.

But in no way was I a natural.

So – this was back in junior high, probably, around the time when the coach was getting in trouble with the school board for telling us that we were the next Great White Hope for the school’s football program – and it’s late summer, probably a month or so before school actually starts, and practices have started up.

My mom worked (and works) in town, so she was usually the one to pick me up after practice, but on this particular day my dad was in town to drop off a load of grain or something, I don’t know, and he had dropped by the field, leaning on the fence with some of the other dads who stood along the fence and muttered observations about their kids. I didn’t notice him until about halfway through the practice, and when I did I suppose I must have amped up my performance a bit — I remember knocking a buddy of mine down a couple times during the blocking drill (man was he pissed) — but that was about it.

After practice, I was amped to talk about The Football on the drive back home.

Now a bit of context: Dad is not one of those guys you see on Friday Night Lights, trying to relive their glory days through their kids. I believe very firmly that he wanted nothing more than to see his kids succeed at whatever it was that they were into, even and especially if it had nothing at all to do with what he had been into in school. He took that suicide scene in Dead Poets Society to heart, is what I’m saying.

That said, I knew that Dad had played football. I know their team had been successful, back when everything was black and white. I was a lineman. Dad was a lineman. Moreover, I think Dad weighed an even 150# as a senior – at 185, I would have been some kind of mutant monster thing on his old team.

I was keen to hear a little praise.

The ride was pretty damned quiet.

“Did you see the blocking drill?” I asked him, and laughed.

“Yup,” he said. And that was it.

“Coach said I was probably going to start left tackle,” I said.

“Yep,” he said. “You’ll have to watch the ball out there, for the hike – it’s hard to hear the count when you’re that far out.”

More silence. More driving. Our farm was thirty miles from town, and Dad wasn’t in much of a hurry.

About five miles from the driveway, he said, “You’ll have better games if you have better practices.”

I didn’t know what to say. In my mind, I’d rocked that practice (at least the second half). I told him as much.

“The drills were fine,” he said, “but — ” He waved it away, which over time I’ve come to realize is what he does when he thinks there are so many suggestions to make that he’d run out of time.

“It was a good practice!” I protested. I went for the exclamation points pretty fast back then.

“I think the coach would just like to see you try harder,” he said.

“I’m trying hard!”

“If you were really trying,” he said, “you’d be falling down more.”


And that was that, as far as conversations go. Those of you who’ve known me a long time know that I try to keep that particular observation close at hand. It was the tagline on my first blog for a really long time. It’s the border on my twitter page now. It’s a marqee banner in my head, and in all my thinking about it, it boils out something like this: you have to try, and you have to fail, in order to get better. If you’re afraid of the part where you fall down (which you inevitably will), you’ll never get better.

I’m trying to teach that to my daughter now. She doesn’t like riding her bike, because she’s afraid of falling over (which she never has). I’m afraid of her falling over too, but I kind of wish she’d actually wipe out for once, so she could see that it’s not nearly as bad as the good parts.

Earlier this year, I ran across a good post at a site I never read. An excerpt:

Your $x (whatever your $x happens to be) is not some fragile vase that is going to shatter the second you $y. It is as strong as you decide it is, and the boundaries are where you set them.

I’m sure that this is obvious to other people, but it is not obvious to me: it’s okay if I’m not perfect. Really, it is. My writing is not some fragile vase that is going to shatter the second I split an infinitive. — Alison at bluishorange

There are lots of things we stop doing, and while there are lots of reasons we stop doing them, one of the most prevalent and recurring is the fear that we won’t be… good. That we won’t do those things perfectly.

“I can’t do a great blog post today, so I’m just going to leave it to [tomorrow/next week/next month/later].”

“I don’t have time to do justice to a story right now.”

“I don’t have time to get good at playing sax again.”

Or this one.

“This project isn’t going very well at all – I’m going to leave it for now.”

I can’t do anything perfectly. Half the time, I can’t even do them well, but if I only did the things I knew I was going to do well, every time I did them, I wouldn’t do anything. Ever.

I would suck.

I would suck far, far worse than anything I might try and fail at.

The more we try — the more we step outside our comfort zone — the more inherently creative we become.

We’re in the wastelands now, with this NaNoWriMo thing. It’s a barren, quiet, scary place, and it’s where we start to get scared that we’re going to get to the end of the story, and it won’t be as good as we’d always thought Our Story would be.

Keep going.

Fall down.

Get muddy.

Get bloody, and get back up smiling.

The falling down is never as bad as the good parts.

#NaNoWriMo: Rules of Three (Dirty Trick #2)

Okay, I lied; here’s a quick for-reals post.

File this one in there with the no-adverbs post — stuff you can do that will make your draft a little bit stronger and reduce the amount of pain you have to go through on revisions: Rules of Three.

Rules of three are pretty good — a hard limit that you’re not supposed to exceed when you’re writing. Let’s lay some out:

  • Only three facts in any description. This is another Zelazny tip that I find wonderfully straightforward to implement. When you’re describing something (a person, a thing, a place, whatever), you only get to mention three facts. The reasoning is that the reader is only going to remember three facts anyway, so you’re better off dictating what those three things are rather than letting them cherry-pick from a two-page description of your protag’s love interest (pro-tip: I don’t give a fuck about the brand of their clothes). You can cheat and add extra bits as the story progresses.
  • Only three uses of the same joke. Seriously, it’s not funny after that.
  • Only three uses of the same anything. Be it a particular application of a superpower, vampire hypnosis, a dance move… whatever. Three.
  • Only three adverbs per story. Might as well put a hard limit on the little fuckers.
  • Only three exclamations points per story. Actually, “one per 50,000 words” is better, but you can have more in your first draft. EVERY SINGLE ONE must be in dialog, though. Don’t make me get the hose.
  • Only three ellipses per story. That might be harsh. Maybe Three-per-25k words, but you can’t end ANY PARAGRAPH with them.
  • Only three ‘nods’ per… chapter? You (and by that, I mean ‘I’) should do even better than that, but it’s a first draft.
  • Only three ‘shrugs’ per… aww, hell. Just try to control it.

Anyone else have some particular story element or vocabulary element that you find you have to control? Please, do share.

If not,  get back to work.

Have fun.

Updates for the week of 2009-11-15

  • Pomplamoose covers Mister Sandman – http://bit.ly/eczVA – awesome. #
  • I want to write the way Pomplamoose makes music. Nature Boy – http://bit.ly/pO40n – Damn. #
  • Je suis aqui, komrades. Wie gehts? Pivo, prosim. #
  • A burst of unfollows after my burst of swearing last night last night. Fuck guys, I'm sorry. #
  • NaNoWriMo: Passing the Dreaded Day Seven – http://bit.ly/23lzQp #
  • *Comprehension!* RT @crredwards – Don't understand why motivational-types follow me. Maybe I'm in their Tweetdeck "What Not To Do" column. #
  • Don't untie me. #threewordsaftersex #
  • "Totally tweeting this." #threewordsaftersex #
  • Giving you this one for free, twitter: Colorado Mimosa – 1 part orange juice, 3 parts Blue Moon. Ice cold. So good. #
  • I have MISSED @Othar "Like all prisoners, I'm outfitted with an exploding collar. The fools! My head's the least dangerous part of my body." #
  • Gave lawn its autumn haircut. Laundry is churning. Cabinet pixies are washing dishes. Trixie K's "napping". Time to write. #nanowrimo #
  • After a productive-but-not-writey day, sat down and knocked out one scene that mugged today's word count. Rawr. #amwriting #nanowrimo #
  • Okay. Going to try to get episode 3 of the podcast in the can. Would be nice not to really think about it all this week. #
  • For those of you who don't twitternet on the weekend, this: NaNoWriMo, Dirty Trick #1http://tinyurl.com/yh3c8sf #
  • RT: @ChuckWendig: Advice on writing your first draft: "Close Enough For Horseshoes and Hand Grenades." http://tinyurl.com/yj5oq27 #nanowrimo #
  • Guys, you know @finnras? The space-captain's twitter? @whoisjonathon8 is the twitter of a vampire living through his secret. Check it. #
  • H1N1 Vaccine Fears (http://j.mp/1O7MCa) – "We tend to play best when we play rationally." #
  • Adrift: The station security system isn’t making any sense: The Scourge is a myth; a Church boogeyman. It isn’t … http://bit.ly/4bqWsB #
  • Pure bowling victory tonight & got half a scene written beforehand. (That's right, writing IN A BOWLING ALLEY.) #nanowrimo #nerdcore #
  • Me: Guys, can we move things along? / Characters: We are. / Me: But, the outline… / Characters: Shush. Grown-ups are talking. #nanowrimo #
  • Me: Not fair, *I'm* the writer. / Characters: Whatever lets you sleep. / Me: hate you… / Characters: What? / Me: Nuthin'. #nanowrimo #
  • The words came hard tonight, but they came, every last one of em, and about seven extra. Now, bed. #nanowrimo #amsleeping #
  • Holyfuckingooowwwwwwwwwwww. My back, you guys. Seriously. #
  • Pretty happy with today's #nanowrimo blog post. Less happy with today's actual nanowrimo writing, due to its nonexistingness. #
  • Got a small cushion on the #nanowrimo stuff. And @daphneun is home. AND my protags are somewhere in the vicinity of my outline. Sleep time. #
  • Before sleep, a dirty secret: I was in my 30s before I learned you didn't pronounce anathema "ana-THEME-ah". #ilearnedwordsbyreadingstuff #
  • 15 Things Worth Knowing About Coffee | The Oatmeal (http://j.mp/1Am37x) – I want this thing as a poster. #
  • Sweet, inadvertent Sesame Street PSA for gay marriage (http://j.mp/TCrlQ) – Excellent. #
  • Adrift: Out of the corner of my eye, I can see Jon has a weapon out. Won’t do much good. Behind me, Deirdre’s te… http://bit.ly/1nhKrm #
  • I've 17023 on #NaNoWriMo project, as of last night. Also, 6852 in the daily posts *about* NaNoWriMo, which I had no intention or plan to do. #
  • Stomach: *growl* / Me: I know I skipped lunch, but we can leave early! / Brain: Dude, you have a class to teach tonight. / Me: I hate you. #
  • Tonight's class was the big finale – students each got up and gave talks on their passion – It. was. awesome. So proud right now, you guys. #
  • RT @glecharles #emc2 McQuivey/Forrester: Publishers cannot dictate the reader experience, only enable it. Content must be agile. #
  • RT @glecharles #emc2 McQuivey/Forrester: "Consumer convenience rules all: Discover, Consume, Share, Rate. Content must be agile." #
  • RT @glecharles #emc2 James McQuivey, Forrester: "Digital transition is an economic phenomenon, not a gadget phenomenon or a trend." #
  • Venn diagram tee shows the bittersweet between happy and sad (http://j.mp/2ZTxxf) – Do want. #
  • THIS: "Teaching is knowing enough about something both to like it and to make other people like it." – http://tinyurl.com/y9u4b8l #
  • RT @JD_Rhoades still can't get used to people going on multiple talk shows to complain that their free speech rights are being suppressed. #
  • Blog Post: #NaNoWriMo: It's not, in fact, better to Burn Out – http://tinyurl.com/yjw4t9m #
  • RT @thecreativepenn Video: #NaNoWriMo Day 11: My update and Lessons Learnt http://bit.ly/T0Ots #
  • Neil Gaiman has seen and commented on my little girl's drawing: "Giant Turkey with Neil Gaiman" http://tinyurl.com/yc98rp2. #lifelist #
  • Adrift: Angry Voice says I must stand down or be destroyed to reach the Scourge. A second voice argues. Second voic… http://bit.ly/2WBteo #
  • #Nanawrimo wordcount done Finished scene and read it to Kaylee for bedtime. It did not involve hard vacuum and bursting eyeballs. #
  • Making Great Shit (http://j.mp/mu8jH) – This may be the best article I've read in quite a long time. #
  • Reading @maureenjohnson's excellent Week Two #nanowrimo pep talk email. Chlamydia koalas… now I'm hungry. #
  • Going to try to do #scifichat today, but I have a NaNo post to write… and… you know… a topic to think up. #
  • #scifichat I think alien settings are best with subtle differences that unpack into something more profound the more you consider them. #
  • #scifi I think 'believable' alien settings come back to the 'human' factor: parents loving offspring, for example. #
  • #scifichat I suppose mixing those two elements is what makes the alien 'alien' – the bits of us we recognize, and the bits that feel WRONG. #
  • You know, I have a lot of pictures of people being punched in the junk. Another debut in new #nanowrimo post: http://bit.ly/3lEhAX #
  • Minor thing: I really don't like the Twitter login page, with that dropdown login-box thing. At all. Moving on. #
  • Quote from my daughter: "Daddy, you are the best tall kid in the wide Earth!" #lifelist #Iwin #
  • Quote from my daughter: "Daddy, you are the best tall kid in the whole wide Earth!" #lifelist #Iwin #
  • Hrm. Occurs to me that I may not have a topic for todays #nanowrimo post. Anyone have something they're thinking/worried about? #
  • Every time I switch to the fairytale inside my #nanowrimo story, I wonder if I'm writing the wrong book – these bits are so EASY. #amwriting #