Adrift, Chapter 1 (20090205112800) Link
Brains?
A few weeks ago, I had a chance to be a writer-fly on the wall at a get-together near the tail end of ALA Midwinter (an event that – among other things – gives out lots of lovely, coveted prizes to lots of lovely, coveted authors) – a kind of publication esbat, from my point of view.
Allowed in under the cloak of matrimony, I was privy to a number of conversations about the current and upcoming trends in non-adult literature of all kinds. One of the most memorable moments during that evening came when someone opined that, in the upcoming year, “Werewolves will be the new vampire.”
There were any number of things I desperately wanted to add to that conversation at that moment.
- “That’s like saying Fetish Porn is the new Fetish Porn.”
- “Fine, but what about the books that are actually any good?”
- Et cetera.
I demurred.
Besides, it’s obvious that 2009’s dark modern psuedo-horror is going to be swarmed by hordes of Zombies.
During that conversation, I wasn’t able to provide a link to the article that gave rise to my claim (curse you, lack of hypertext-enabled speech), but I can now. You’re welcome.
Briefly… (20090204231834)
Adrift, Background Link
Briefly… (20090204214337)
New micro-serial fiction + twitterfeed + MT-twitter plugin hack might = awesome… Or might = texticle explosion. Everybody duck.
Briefly… (20090204151814)
Adrift, Part One Chapter 1 (20080513132824) Link
Briefly… (20090204132009)
I generally enjoy Boing-Boing, but the guest blogger they have on this week? I’ve pulled several ocular muscles with all the eye-rolling.
Briefly… (20090204130618)
Just finished reading Sordid City Blues (Link). It reminds me: engaging your passions leads you to your audience.
They stole my screed…
Advertisements for Yourself – The Big Money
People in the book business rarely agree on much, but no one disputes that the long-suffering industry is slogging through one of its worst periods ever. Editors are freezing their acquisition budgets; publishing houses are shrinking; booksellers are teetering on the edge of bankruptcy. The proliferation of digital media that is arguably the biggest threat to traditional publishing also offers authors more opportunities than ever to distribute and promote their work. The catch: In order to do that effectively, authors increasingly must transcend their words and become brands.
I disagree with some of the things that the article lays out in terms of what “branding” means — I think that’s at least partly because the author didn’t really seem to know, either — but I agree that a successful author today does better by creating a kind of community around themselves and their work — once that community hits a certain tipping point, it grows on its own, creating a bigger and bigger audience. There are authors who can transcend or ignore that, but they are few and far between.
The main point of that article — or the part that caught my attention — is the way in which New Media (to borrow a term from Obama’s presidential campaign) is both a threat to traditional publishing and a chance for authors to reap benefits and enjoyment from their own work far more directly and understandably than they can via the impenetrable system currently in place.
I don’t think it’s accurate to say that the change in the way people are reading, accessing, and acquiring books today is a death-knell for the publishing industry, but it is a beach, and today’s (really, yesterday’s) publishers are — all of them — sea-dwelling mammals; very large sea-dwelling mammals. Their future survival necessitates being able to get up out of the water, onto the beach, and into the trees; some of these fat, slow bastards will not survive that evolutionary imperative.

